{"version":"1.0","provider_name":"Jorge Retamoza","provider_url":"https:\/\/www.retamoza.com.ar\/en","author_name":"efece","author_url":"https:\/\/www.retamoza.com.ar\/en\/author\/efece\/","title":"\"El saxo en el tango\" P\u00e1gina\/12 - Jorge Retamoza","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"R5VDm0gCMF\"><a href=\"https:\/\/www.retamoza.com.ar\/en\/prensa\/el-saxo-en-el-tango-pagina-12\/\">&#8220;El saxo en el tango&#8221; P\u00e1gina\/12<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.retamoza.com.ar\/en\/prensa\/el-saxo-en-el-tango-pagina-12\/embed\/#?secret=R5VDm0gCMF\" width=\"600\" height=\"338\" title=\"&#8220;&#8220;El saxo en el tango&#8221; P\u00e1gina\/12&#8221; &#8212; Jorge Retamoza\" data-secret=\"R5VDm0gCMF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.retamoza.com.ar\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.retamoza.com.ar\/wp-content\/uploads\/pagina-12-Colores-chico1.jpg","thumbnail_width":2480,"thumbnail_height":1746,"description":"El saxo en el tango \u201cCreo que ya est\u00e1 establecido que mi trabajo es el de un saxo de Buenos Aires y quiero evitarme la explicaci\u00f3n de si puedo tocar un tango con \u00e9l\u201d, se\u00f1ala el notable instrumentista. Por Cristian Vitale Retamoza act\u00faa ma\u00f1ana con su cuarteto en Notorious. Un orfebre de la m\u00fasica, Jorge..."}